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However, the production as a whole does suffer from poor cartoon animation, several half-baked sequels to earlier episodes so that animation, even dialogue, could be reused wholesale, and an arguably stereotypical pair of continuing villains, greedy, money-grubbing tyrant Prince John and the Sheriff of N.O.T.T., whose overweening ineptitude becomes so laughable as to nullify whatever attempt there may be at instilling a sense of menace.
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old Earth time periods with the Space Age) and myth with fantasy, with a Gothic motif distinguishing the backgrounds of many later episodes to a desirable spooky effect. The writers of Rocket Robin Hood evidently had a tongue-in-cheek penchant for mixing past with future (i.e. Differences of opinion on mattersĬreative and financial and consequent quarrels in Trillium offices resulted inīakshi departing Toronto and moving production of remaining episodes to New York
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In-animation-studio producer, and the style of the television series underwent aĭistinctly noticeable change at this time. Shamus Culhane of "The Guest Group" as the Rocket Robin Hood Oversee what Krantz considered to be a problematic production.
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Per-episode budgets reached a high of $18,000, prompting companyĬhief executive Steven Krantz to hire and send Ralph Bakshi to Toronto to Requisitioned illustrator talent from places as far away from Canada as EnglandĪnd Spain. Marvel Superheroes (1966-8 also a Krantz Films property), Guest In addition to some of the staff for Grantray-Lawrence Animation's The
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In history and featured the museum-inhabiting Max the 2000-Year-Old MouseĪnd the quirky, time machine inventor, Professor Kitzel, financed and had Krantzįilms of New York, the company also responsible for Spiderman (1967-70)Īnd two series of six-minute cartoons that recounted periods and personalities Trillium Productions to bring the Merry Men of the future to television. Leader of "The Guest Group", a team of cartoon animators that formed into Rocket Robin Hood was produced in Toronto, Ontario, Canada and later Rocket Robin Hood and his trusty sidekick, Will Scarlet, endeavour to repel an attack upon their spaceship by giant beetles in "From Menace to Menace". John, "pleasingly plump" Friar Tuck, and spirited, red-goateed Will Scarlet,Ĭontinues his ancestor's crusade against heavy taxation, despotism, and the Medieval outlaw, who, accompanied by such latter-day Merry Men as brawny Little Robin Hood of Sherwood Asteroid, Space Age version and descendant of the Legend of Robin Hood of Sherwood Forest is more recognisable as that of Rocket To a generation of Canadians, with childhood between 19, the With fiery blasts, our roaring rockets rise, Watch now as our rockets race here from afar.įor now, with our Robin, we live on a star." With heroes and villains, the bad and the good. I may well confound you, astound you, spellbound you, Hark now to the ballad of Rocket Robin Hood.